The details of Marie Laurencin’s life are so incredible that her story sounds like a movie in the making. In fact, it’s shocking to me that the French artist (1883-1956) doesn’t have better name ...
In 1923, Marie Laurencin painted the stage curtain of the ballet Les biches, which premiered in Monte Carlo in January of the following year—a somewhat plotless, vibe-filled stage production of young ...
Her lively, outré, and undeniably feminine take on cubism set her apart from her modernist peers. Marie Laurencin, Women in the Forest (Femmes dans la forêt), 1920. Marie Laurencin was a star of ...
Work of the Week is excerpted from The Back Room, our lively recap funneling only the week’s must-know art industry intel into a nimble read you’ll actually enjoy. Artnet News Pro members get ...
“Why should I paint dead fish, onions and beer glasses? … Girls are so much prettier,” Marie Laurencin once told a Time magazine reporter. This often-repeated quote suggests that the late artist made ...
Marie Laurencin, "The Does" (Les biches) (1923), stage curtain design for the ballet Les biches; Musée de l’Orangerie, Paris (artwork © Fondation Foujita ...
Editor’s Note: Untold Art History investigates lesser-known stories in art, spotlighting unsung and pioneering artists you should know, as well as uncovering new insights into influential artworks ...
Loved in her day, the French painter Marie Laurencin depicted a dreamy vision of a world of women. What does she have to say to audiences now? By Maggie Lange “If you want what is commonly accepted as ...
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